The Ages of Peonies
By Ellen Sheffield
Gambier, Ohio: Ellen Sheffield, 2018. Edition of 16.
9 x 6.375"; 24 pages. Text printed letterpress from polymer plates and wood types. Includes inkjet prints and letterpress on Rives paper. Bound in handmade Morgan cotton abaca paper over front board and bookcloth on back board with printed musical score in Miss Anderson's handwriting. Drum leaf binding. In paper four-flap cover with announcement of performance on March 11, 1930 printed on front. Signed and numbered by the artist.
Colophon: "Peony (Paeonia) bushes can live for a century. Mine was transplanted from my husband’s grandmother’s garden after her death. Grandma Bertha Hammonds was a so-called colored cleaning woman her entire life in our small town where Marian Anderson performed in 1930. So too were Ethel Reynolds, Gertrude Jones, Viola Booker, Mable Mayle, Anna Sites, and Midge McGee. Miss Anderson’s mother in Philadelphia also scrubbed floors to support her young daughters. This artist’s book is inspired by these women and their drive to bring beauty into their communities in the face of exclusion and racial prejudice.
"My thanks to Ric Sheffield and to Nancy Zafris for their research and writing about the colored women’s clubs and Marian Anderson. Studio support for this project was provided by the Morgan Art of Papermaking Conservatory and Educational Foundation Artist Residency Pro-gram ... Images are courtesy of the Shared Shelf Commons of Penn Library’s Rare Book & Manuscript Library Image Collection Marian Anderson Archives and the Knox County Black History Archive. Additional images include my photos of Mount Vernon, Ohio’s historic Woodward Opera House’s vintage wallpaper, and Grandma Hammond’s still blooming peonies. 'The Ages of Peonies' is my found poem constructed from newspaper accounts, historical research. Additional text includes the lyrics to the spiritual song 'Sometimes I Feel Like a Motherless Child.'"
www.wikipedia.org (accessed 10/29/2018): "Marian Anderson (February 27,1897 – April 8, 1993) was an American singer…one of the most celebrated singers of the twentieth century. … Anderson became an important figure in the struggle for black artists to overcome racial prejudice in the United States during the mid-twentieth century. In 1939, the Daughters of the American Revolution (DAR) refused permission for Anderson to sing to an integrated audience in Constitution Hall. … With the aid of First Lady Eleanor Roosevelt and her husband Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the Lincoln Memorial in Washington, D.C. before a crowd of more than 75,000 people."